Jay-Z & Kanye West – Watch The Throne Review

When rap moguls Jay-Z and Kanye West announced that they were going to collaborate on a new record, you could feel the Earth rumble. The music community had every reason to jump for joy: Jay-Z had major success creating some of rap’s most memorable albums of the past decade, and Kanye West had been on a continual high since the release of his most recent critically acclaimed LP, My Beautiful Dark Twisted Fantasy. Perhaps the two biggest names in rap were about to join forces (as artists, not just as producers) and those of us who appreciated their works separately were now going to have their minds explode. But enough with how we felt before “The Throne” got together (that’s what they’re collectively called). What matters is that their release, Watch The Throne, is now available for us to see which one raps better, right?

Just to set the record straight, there is no question of who raps better here. While each track gives breathing room for each rapper to lay down a verse, this is not really a sparring event. That’s something left for fans to do when they play their albums side-by-side. If anything, Watch The Throne lets friends and partners try to find a unified vision, because really, what do these guys have to prove to one another? They’re arguably the hottest commodities of the rap community and the music community in general, and it should be worth celebrating…right?

Well, maybe it would be more accurate to find out who is really celebrating: the music community or Jay-Z and West themselves. The finished result of what took months of teasing and featuring guests is a rocky one, containing tracks that shine like its album art and obscure like its questionable gimmickry – by that I mean, is there really a reason why these two are making music together? There are many moments on here when you feel their collaboration is for the purposes of self-indulgence, referring to the idea that these two rappers really are royalty and then throwing it upon the listener. I’m not quite sure  that actually makes for great rap itself, a genre that hits hard when it plays hard and intricately applies lyrics to topics with some more humanistic significance. Here it’s just lyrically unimpressive, which is probably the biggest letdown, considering how well these guys do on their own turf.

However, for what it’s worth, Watch The Throne is more or less an admirable experiment, bouncing between musically superb examples of the craft and not-so-great tunes that some might consider even besting some of today’s Top 40. Those superb tracks mentioned, such as “Gotta Have It,” “New Day” and “Murder to Excellence” really shoot for inspired beats that sound very much in Jay-Z and West’s ballpark, bringing the best of their abilities together into a formative mold. That isn’t to say the rest of the album doesn’t do the same justice, but they come off more as the glaze than the mold itself. In fact, tracks featuring guests like up-and-comer Frank Ocean, Jay-Z’s beau Beyoncé and Mr. Hudson are the most overcooked tracks on here, providing so much excess that it ends up leaving little to desire.

By the end of the album, you leave with more questions than answers about this supposed dynamic duo, which doesn’t exactly make this the most impressive rap record of the year as most of us probably assumed it was going to be. Maybe questions are more important when it comes to an experiment like Watch The Throne, which can still pull off the few great songs mentioned, making this an admirable effort from artists who do know what they’re doing given the right ingredients. Having said that, however, the intention of giving power to “The Throne” as a sense for lyricism and marketability is lazy and most disappointing, but some tracks really do bring interesting beats to the table. If you have to have your fill of Jay-Z and/or Kanye West, then there is plenty here to put on your plate, but as someone expecting “two heads are better than one,” I don’t think the tracks not mentioned here are worth having seconds.

Tell us what you think of the album in the comments below and check out Watch The Throne, available now on iTunes and everywhere else on August 12th from Roc-A-Fella Records. (A “Deluxe Edition” is also available through iTunes, featuring four additional tracks including “H.A.M.” and “The Joy” feat. Curtis Mayfield)

ABC planning Marvel – Castle crossover

ABC Entertainment president Paul Lee surprised attendees of the network’s Television Critics Association (TCA) presentation yesterday with the news that a Marvel character would be appearing in a storyline of the series Castle. The series stars fan favorite Nathan Filion as a mystery writer/crime sleuth.

“You know, I don’t know if I’m allowed to say it, but we’ve got a really cool storyline with a Marvel character that appears on Castle this year,” Lee said. “If you guys haven’t seen the finale for Castle from this past season, it’s extraordinary. [Castle creator] Andrew Marlow is really hitting his stride. And that was an underrated show that really found its momentum. And there’s one episode, and I’m probably giving away a secret and I shouldn’t because Andrew is going to kill me, with a Marvel superhero character.”

ABC is owned by Disney, which also owns Marvel. Since most of Marvel’s movie rights are tied up with other studios, it’s natural that Disney would be anxious to exploit the characters via television.

Lee confirmed that network is still developing a Hulk series executive produced by Guillermo Del Toro (Hellboy) and David Eick (Battlestar Galactica) as well as AKA Jessica Jones, based on the Alias book by Brian Michael Bendis and Michael Gaydos, with Twilight screenwriter Melissa Rosenberg as exec producer.

Our guess is that Jones is the likely Castle crossover candidate. Introducing new spin-off characters in popular long-running series is a staple of genre television (anyone remember the Bionic Woman and Six Million Dollar Man crossovers?). But it would be great to see Bruce Banner or another A-list character appear in the “real” world. How about Dr. Strange?

Arcade Fire’s The Suburbs Deluxe Edition Now Available

The way The Suburbs was meant to be.

Time has been nice to Arcade Fire. The Canadian indie rockers had a massive year with the release of their third LP, The Suburbs, capping it off with a worldwide tour in support of the album and then taking the music industry by storm, earning the top honor of “Album of the Year” at last year’s Grammy’s. It’s a remarkable album no doubt, and considering the major success that is The Suburbs, the band has now released a deluxe edition exactly one year from its original release to help continue the festivities.

This new 2-disc deluxe edition features the album’s original 16-track tracklist plus two previously unreleased bonus tracks entitled “Culture War” and “Speaking In Tongues” featuring none other than new waver David Byrne, along with an extended version of “Wasted Hours.” Accompanying the release is an 80-page booklet featuring unreleased artwork from the band’s recording sessions and marketing photo shoots.

Also included in the set is a DVD featuring Spike Jonze-directed short film, “Scenes from The Suburbs,” a Behind-the-Scenes look at the making of the short film, and the music video for the single “The Suburbs,” also directed by Spike Jonze.

For those of you who already own The Suburbs, you can easily purchase these additional features digitally via iTunes. For those of you who have yet to pick up this album or are a huge Arcade Fire fan like I am, here is your chance to grab the full package as it was intended.

You can check out the music video to “The Suburbs” down below and be sure to check out The Suburbs Deluxe Edition, now available from Merge Records.