Copyright Office Examines the Cable and Satellite Statutory Licenses in the Copyright Act

After more than a year of intensive study, the U.S. Copyright Office issued its report on whether to maintain, modify or eliminate Sections 111, 119 and 122 of the Copyright Act. It will serve as the basis for discussion for possible changes to the statutory licenses.

Section 109 of the Satellite Home Viewer Extension and Reauthorization Act (SHVERA) of 2004 requires the Copyright Office to examine and compare the statutory licensing systems for the cable and satellite television industries under Sections 111, 119 and 122 of the Copyright Act and recommend any necessary legislative changes no later than June 30, 2008.

The Section 111 license, first enacted in 1976, permits a cable operator to retransmit both local and distant television and radio signals to its subscribers, provided that the cable operators pay royalties according to the formula set forth in the law. The other two licenses govern the retransmission of broadcast signals by satellite carriers. The Section 119 license, first enacted in 1988, permits a satellite carrier to retransmit distant superstation and network television station signals (but not radio signals) to its subscribers for private home viewing and to commercial establishments on a flat fee basis. The Section 122 statutory license, on the other hand, was first enacted in 1999 and permits satellite carriers to retransmit local television station signals into the stations’ local market on a royalty-free basis. These statutory licenses are linked, in many respects, to the broadcast signal carriage rules administered by the Federal Communications Commission.

In preparing its report, the Copyright Office sought comment from the affected industries, copyright owners and other interested parties and held three days of hearings in July 2007 to further supplement the record. The report was delivered to Congress on June 30 by the Copyright Office.

The principal recommendation in the report is that Congress move toward abolishing Section 111 and Section 119 of the Act. According to the Copyright Office, the cable and satellite industries are no longer nascent entities in need of a statutory licensing system. They have substantial market power and are able to negotiate private agreements with copyright owners for programming carried on distant broadcast signals. Moreover, the Copyright Office finds that the Internet video marketplace is robust and is functioning well without a statutory license. The Copyright Office also concludes that the distant-signal programming marketplace is less important in an age when consumers have many more choices for programming from a variety of distribution outlets. The office nevertheless recommends the retention of a royalty-free local-into-local license, because such a license is still necessary and it promotes the general welfare of users, broadcasters and the public.

Despite the Copyright Office’s determination that the ultimate solution should be the elimination of the existing distant signal licenses, it recognizes that the digital television transition in 2009 is likely to generate unanticipated signal reception problems for millions of American households. The office also finds that it is important for Congress to provide a lifeline distant signal service for subscribers during the post-transition period. The Copyright Office therefore recommends the establishment of a new statutory licensing system that would cover the retransmission of distant broadcast signals beginning on Jan. 1, 2010, and ending on Dec. 31, 2014. This will permit users of the license to serve the needs of their subscribers who may experience viewing disruptions. According to the Copyright Office, an equally important rationale for a transitional license is that it will take time for voluntary licensing arrangements to take shape and become widely available. The marketplace will work but it needs to be given time to adapt to changes in the regulatory regime.

Congress may decide that there should still be separate statutory licenses for cable operators and satellite carriers. The Copyright Office, then, makes several recommendations for adjusting Sections 111, 119 and 122. The recommendations in this regard are intended to further parity between cable operators and satellite carriers.

An electronic version of the report will be available under the “Hot Topics” section on the Copyright Office Web site at www.copyright.gov.

Guillermo Del Toro and his Frankenstein

Frankenstein!

In what must be one of the more interesting adaptations to come in the future, Guillermo del Toro will be working on a Frankenstein adaptation. And he’s planning Doug Jones to play the role of the iconic monster. Details are pretty sparse right now, and I wouldn’t expect this movie to start getting serious anytime before 2010, but it’s pretty interesting all the same.

This news come from ShockTillYouDrop, who interrogated him while on the red carpet at the Hellboy II premiere.

Del Toro will be sticking to the original vision that Mary Shelley had for Frankenstein: “Tall, pale with blackened lips, achingly beautiful but completely flawed.” Del Toro also mentioned Berni Wrightson, famed comic artist and horror illustrator for designing the look of Frankenstein. Apparently, the movie is still so early that Del Toro was surprised when he was enquired about it.

Del Toro has an actor in mind for Victor Frankenstein as well, but refused to mention him. No Igor either. We wonder how the “It’ ALIVE!!!” scene will turn out here. Very intriguing indeed!

300 Follow-up definitely happening!

Frank Miller\'s 300

Trust Hollywood to not let a money-making oppurtunity slip by. While a sequel wasn’t the first thing on our minds when we saw the epic 300, we all thought about it sometime or the other, and then rumours began. Official word came here and there, and now it’s definitely up: the 300 follow-up will happen!

Variety reports that Legendary Pictures has confirmed a 300 follow-up with Zack Snyder signed on as director (yes!) and Frank Miller working on the writing. What’s more, if the report is spot-on accurate, Miller is working on a graphic novel, which should be in every way as awesomely epic as its predecessor! This is excellent, with both Snyder and Miller on the project, it has to be awesome! I, uh think.

Snyder, however, has said that he’ll wait for Miller’s novel first before he commits anything, but yeah. Legendary is going to make sure that the story is as great as it was before, because as Thomas Tull from Legendary said, “The vision of Frank Miller’s universe that Zack Snyder brought to the screen in ‘300’ is unlike anything ever seen before.” And that’s totally true.

We wonder what the movie will be about. Will it be a prequel with Gerard Butler back kicking Persian ass as Leonidas? Will we see Leonidas Jr. become a badass king? Will we see the Spartans taking revenge? Speculation abound! We will see where Legendary and Miller go with this.

Saw V Poster looks Impressive

Saw V Teaser Preview

…but we’re sure that the movie will be far from impressive. Repulsive, maybe, but definitely not impressive. It amazes me how poster artists of such calibre are still working with Saw. Maybe it makes money. I dunno who goes to see Saw when all you need is a good ’80s slasher horror flick, maybe a snuff. Still, there’s this teaser poster below. Click it.

The guys at Latino Review asked Tobin Bell, who says:

“I, of course, enjoyed it. It was a rough 3 hours of work but I wanted to make sure I keep the Jigsaw legacy alive through these vibrant, gross and scary pictures. I know everything must come to an end, but I’m hoping the writers can keep coming up with scary poster ideas. Why stop at just five, right? Hopefully one day they will make a movie fleshing out the horror of these wonderful 24 X 36 posters.”

Oh yeah, definitely: the writers are ace when it comes to devilish torture ideas. I’d wager that they were given a copy of Marquis de Sade’s 120 Days of Sodom instead of fairy tale books when they were kids.

All in all, I like the subtlety of this one. I didn’t get it at first: I thought it was just Jigsaw’s body until I saw the edges of the “mask”. Suddenly, the face just doesn’t look the same. And that creepy Saw feeling comes alive within you. Of course, we have no doubt that the movie is going to be a lot less subtle than that.

Hit the poster below for full size:

Saw V Poster